Workshops and Free demonstrations

This is my schedule of workshops and demonstrations for the next few weeks.

Art Shed Brisbane

Sunday 18^th November 10.00am - 3.00pm

Workshop: Line and Colour with Derwent (For details click this link)

Please sign up at  Art Shed Brisbane 

Tel: 38461330 

274 Montague Road, West End

Abstract Rose - Sketchbook study - Derwent Artbars 

Arthouse Northside:

Composition - 3 week course

Fridays:  9^th 16^th and 23^rd November 9.30am -12.30am

(It’s not too late to join the class this week.)

Please sign up at Arthouse Northside  

Tel: 38692444 

140 Braun Street Deagan 4017

Portofino - oil on canvas - 900mm x 900mm ©2012 Carol Lee Beckx

Arthouse Northside:

Friday 16^th November 1.00pm - 2.00pm

Free Demonstration: Colour

Friday 23rd November 1.00pm - 2.00pm

Free Demonstration: Brushes - types of brushes for watercolour, acrylics and oils - their use and care.

No bookings are required for the Demonstrations - all welcome.

Moving from the real to the abstract in painting

I have always enjoyed looking for the abstract – even the most realistic image has abstract elements. In ‘an abstract’ a brief summary of a research article or thesis – complex research is succinctly communicated. In an abstract painting, the image is reduced to the essential elements.

The visual language of colour, shape, line and texture creates a new reality in the painting.

Pumula Rocks II  -oil on canvas - 914mm x 914mm

© Carol Lee Beckx

My inspiration is often an image, a photograph I have taken, that, on the face of it, is realistic. Photographing the coast at different times and under different weather conditions developed my interest in the rocks, sea and sand as subject.

 The Rock Series started with paintings that were realistic in execution and intent. As the series progressed, I became engrossed with finding sections of my reference that possessed abstract compositional elements that I could utilise.

Heavier impasto paint, layered and incised, and glazes of colours all contribute to the expression of monumentality and permanence. The textured paint builds up the surface and creates shadows that blur the boundaries between a flat canvas and three-dimensional relief.

Pumula Rocks III - oil on canvas 914mm x 760mm

© Carol Lee Beckx

There remains a semblance of reality – the paintings are not totally abstract. The use of colour becomes more arbitrary and unrelated to the reality of the rocks. The character of the rock also lends itself to the drawn line - calligraphic marks are used to express its textural qualities. The paintings become abstract constructs.