The choice and quality of drawing tools is very important
for an artist. Last year I was given the opportunity to work with a number of the exciting Derwent drawing pencils and Artbars. So, too, the paper used has a big part to play in the final result of a drawing or painting.
I have discussed various sketchbooks on Art Matters as my search continues for the perfect book. There are a number of criteria - the quality of the paper; the responsiveness to a variety of media - i.e. is it suitable for pencil, ink and watercolour; the size of the book; the robust quality of the binding and the cover.
I have discussed various sketchbooks on Art Matters as my search continues for the perfect book. There are a number of criteria - the quality of the paper; the responsiveness to a variety of media - i.e. is it suitable for pencil, ink and watercolour; the size of the book; the robust quality of the binding and the cover.
I am definitely prejudiced in favour of bound books, never
having liked the mechanical feel of a ring-bound book. I like to have the
freedom to paint and draw across the gutter and, moreover, I just love a proper
book. However, Stillman & Birn books come in both Hardbound and Wire-bound formats
so everyone can be satisfied.
The new journals produced by Stillman & Birn have been
in the news on drawing and sketching blogs all over the world. These sketchbooks are now available here in Australia. I have been
given one of the Beta 14.0 x 21.6cm sketchbooks to try.
The Specs:
The paper in
the Beta is 180Lb./270 GSM;
Natural
White
Cold Press
surface
For Multi-media
work
There are a
number of different sizes in each of the series. I haven’t tested any of the
others yet so I will confine my comments to the Beta series.
The binding
is extremely strong and if broken in correctly (yes, it’s recommended that you
are tough with the book when you get it) will open completely flat. The cover has
a good surface that will stand up to being thrown around without starting to
look shabby.
I started
off with a simple pencil drawing, and then tried the same subject in
watercolour only.
A spray of bougainvillea from my early morning walk provided
the subject for trying ink with watercolour. This I followed with a detailed drawing of a Chinese Dragon vase using a very fine pen - the Platinum Carbon pen.
The final sketch
in the first series of tests was a plein air drawing of The Old Windmill in
Spring Hill, Brisbane. For this drawing I used a Pigma Micron 005 and
watercolour.
Although I have done only a few sketches to date, I found that the paper responded very well to all types of media with good results. I’m looking forward to more drawing fun over the long weekend.
A Blessed and Peaceful Easter to all who will celebrate this special time.