Recently two commissions for
abstract paintings led me to explore a couple of different avenues. I returned
to look at the American Abstract Expressionists and Franz
Kline in particular.
Given a superficial glance
these paintings look so simple - a couple of dramatic lines dashed across the
canvas with a loaded brush and the painting is done - or is it?
Is
it really so simple?
Acrylic study for Grey, Silver
Black & Pink
The reality
is somewhat removed from that simplistic assumption. Start flashing a brush
around and see what happens - usually the canvas turns into an uncontrollable
mess. Try flicking just one splash of colour on to a monochromatic painting and
disaster lurks. The consistency of the paint is crucial.
If there’s
too much turps in the mix, when it’s splashed over thicker, more oily
paint that layer
will crack when it dries . If
there’s too much oil in the mix, the paint will take forever to dry. While the
paint is drying the beautiful spots can turn a into ugly wrinkles. Then one
understands exactly why Kline continued to use house paint instead of artists
paint which his dealer wanted him to use. The viscosity of industrial paint is
perfect for splashes and dribbles. This video gives some insight
to his process
I started by doing a
number of acrylic studies in my sketchbook.
Acrylic study for Grey, Silver
black & pink
Once the right image
was decided upon I worked directly on the primed canvas. I started
with shades of grey and
white in large areas, applying
the paint with brush and palette knife to add surface tension to the canvas.
I have added
a few detail photos at the end of this post to try to show
this.
Once
this layer was dry I painted the black lines with fast broad
strokes.
Black lines are added
and other areas have been simplified.Then, with fingers
crossed, because I’m not really a splashy kind of painter, a few splashes of
shocking pink added the colour. The silver leaf was the final touch - and
difficult to photograph well as the silver leaf simply looks white.
The initial sketches have a
rawness and vitality that is hard to translate to a large canvas. The sheer size
tends to make one more careful. However, I am pleased with the way the surface
of the canvas has become more complex, adding substance and vitality to what was
a casual sketch.
Grey, black, silver & pink - oil on canvas 1000mm
x 1000mm
Detail
Detail
Detail