Showing posts with label flowers. Show all posts
Showing posts with label flowers. Show all posts

Monday, 4 April 2016

Peony - exploring the complexity


                  
Work in progress - Damask Peony 

During the last few weeks I've been working on a few paintings and have used the same technique to transfer my original drawing to the canvas. This post Magnolia Diptych- tracking the process is where I discuss the technique.

Northside Flower Market in my area has the most enticing Instagram profile - it's loaded with stunning images of flowers. A few months ago, the exotic Peony was featured. I woke up a little late this year as the season was almost at an end. The first blooms I bought were deep magenta and the very last bunch of the season was this beautiful pink. The flower is extremely complex, with petal folded upon petal. In our hot climate the blooms don't last as long as they might in a cooler part of the world so I took a lot of photographs. Then I did a number of very loose quick sketches as well as some more detailed careful drawings. 
                   
My local Officeworks was the next place to visit where I had a large copy made of my original drawing. The plan print size is largest and for a few dollars you have a large copy of the drawing A0 - 841 mm x 1189 mm. This is so much easier than using a grid to enlarge the image. Once work was started on the flower, centrally and symmetrically placed, I decided to add the damask motif by means of a stencil. This allowed me to add new colours and provide a background to the central flower. 

As I worked slowly to develop the petals quite a lot of the drawing surrounding the painted area remained. The more I looked at the work in progress the more I liked the drawing contrasting with the petals rendered in a realistic manner. Sometimes every  "T" doesn't need to be crossed. I have therefore left many of these sketchy lines in the final painting.

 Damask Peony – oil on canvas 765mm x 765mm

Wednesday, 24 April 2013

First Step: Covering the white of the canvas


Facing the empty expanse of the bright white that is a new canvas is daunting for many artists. We often apply a coloured ground to calm our fears and banish the glare. Most times however, it's the first step of the chess game of painting. The first steps are the groundwork; setting the stage for the layers of action to come.


Girl Surfer oil on canvas © Carol Lee Beckx



This morning I had a reminder of a colour that is a frequent choice as an underpainting. Favorite Paint Mixture: Permanent Rose PV 19 was the subject of a blog post by Elizabeth Floyd this morning.

The clean freshness of Permanent Rose makes a wonderful ground for many subjects. As you can see from the images here, I have used it for landscapes as well as flowers. It gives immediate vibrancy to the canvas.

Hot Palms oil on canvas © Carol Lee Beckx


Sometimes the presence of this powerful colour can cause a few problems but it’s seldom been that I have had to obliterate all trace of it in a painting. 

Pink Roses with Mirrors Work in progess© Carol Lee Beckx



 I love the idea of hiding layers beneath my paint - only I know what secrets lie beneath the surface. (Clearly, many mistakes secrets HAVE to be well hidden, never to see the light of day)

I hope you enjoy looking for some of these early layers underneath the paint of the completed paintings.

Towards Kaapse Hoop oil on canvas © Carol Lee Beckx

To read more about Elizabeth Floyd's colour mixtures here is the link the post.