Sketching in King George Square, Brisbane

Yesterday was a perfect day for sketching. I caught a bus into the City to join USK BNE sketchers in King George Square. As I walked along Ann Street and came to the square I realised that I had previously overlooked a small park to the side of the Albert Street Uniting Church, complete with benches and shade. It was a pleasant place to sketch. The sun came out from behind a building to blind me as I was almost finished the sketch so I moved into some shade higher up to complete it.

Albert Street Uniting Church Brisbane - ink and watercolour S&B Beta sketchbook

My process was to put down loose watercolour brushstrokes defining the main shapes of the church. As these dried I added the details with my favourite Noodlers #41 Brown ink in a Noodlers Konrad Flex pen - it's a good combination. The watercolour wash behind the Church is an indication of some of the modern high rise buildings that dwarf it.

This Church is one of a number of buildings in the City that will form part of Open House Brisbane in October.

I moved across to the square to chat to the others and as it wasn’t quite time for coffee, I did two more drawings. A sculpture of a Kangaroo family was done using a quick contour drawing with a wash of ink.

Roos in King George Square ink and wash S&B Alpha skethcbook

Brisbane City Hall is imposing and complex so I decided to concentrate on the Clock tower. After adding the blue watercolour for the sky I decided to leave the buildings unpainted. 

Clock Tower Brisbane City Hall ink and watercolour S&B Beta Sketchbook

After our break I wandered into the City Hall and went to have a look at the Brisbane Museum. This was renovated recently and is a wonderful space commemorating this beautiful city. My time there was too short but I did manage a quick sketch of the view through one of the windows. Green trees can be glimpsed through the intricate iron work that frames the window on the outside of the building.

Window,Brisbane Museum - ink and watercolour S&B alpha sketchbook

Sketchbooks

I have a confession. I have been somewhat obsessed with sketching and sketchbooks lately - and I love it. I've been sketching for years, sometimes more sometimes less and I thought I would write a bit about the books I have used.

Sketchbooks - bottom to top - Fabriano Venezia A4 and A5; Daler Rowney Petrol; Blank Magneto Book; Stillman & Birn A5 Beta; Moelskine Sketchbook and Daler Rowney Eggshell

Over the years, my medium of choice has been a pen, usually a fine liner or pencil. This was governed by the type of books easily available in South Africa. The ones used most often were simple blank books A5 and A4 from Exclusive Books. The paper was most likely only about 110gsm and not suitable for watercolour. Pencil is fine but unless the drawings are fixed, the pages get very messy, so ink is a better option. 

Occasionally, I would be able to get Daler Rowney's Ebony and these were better and could cope with a light wash. Then I found the Moleskine Sketchbooks but unfortunately not the ones with watercolour paper! The paper in these is lovely for ink and coloured pencil but is averse to watercolour. However, manufacturers have to change things and as I write there is new packaging and I believe different paper. For up to date reviews of these changes,please check Katherine Tyrrell's blog Making a Mark as she will be posting her findings.

I also have an A4 Moleskine watercolour sketchbook that I am using. I'm not too sure how I feel about this one yet... The landscape format makes it a large rather cumbersome surface to work on. It's certainly not the book to pull out when you are trying to be discreet about sketching. And since it appears that the paper in this one has also changed makes my findings above rather irrelevant!

A good value for money sketchbook is the Jasart Sketch and Write, especially when they are on special. These have 150gsm paper, are hard bound and come in a variety of sizes. The book opens flat and is strurdy. The paper accepts a light wash, and can be used to test oil colour mixtures without bleeding through to the next page. The price allows one to be extravagant with page use so I use these for daily studio work. (This satisfies my semi-frugal nature)

A lovely book for ink, gouache, and watercolour is the Fabriano Venezia. It's a bound book, is sturdy and I like the cover. Since the paper is 200gsm it takes a fair amount of punishment. These come in both about A5 and about A4. I say "about" because these are slightly larger than A5 and A4 which comes with challenges when scanning as the page doesn't fit an A4 scanner bed. Another grumble I have is that the book doesn't open completely flat which causes problems when working across the gutter and creates a strong shadow when scanning.

 My basic sketching kit - Fabriano Venezia with a white Lamy Safari for drawing 

& Waterman for writing.

This brings me to the Stillman & Birn sketchbooks. I have used a number of these and like all of them very much for use with various mediums. The books all open flat so good to use a double spread and for scanning. 

The first I tested was the Beta 270gsm Weight: 180 lb. – 270 gsm; Shade: Natural White

Surface: Cold Press Media: Watercolor, Dry Media, & Ink

It's lovely for watercolour, though it has a bit more tooth than I like for pen work but still workable. But - the "but" is because the paper is thicker there are fewer sheets in the book so it's not that economical a choice.

Figs - watercolour and pencil Beta sketchbook

The Alpha Weight: 100 lb. – 150 gsm  Shade: Natural White  Surface: Vellum  Media: Dry Media,  Light Wash, & Ink

This is the one I would choose again as a daily sketchbook. It's 150gsm and because of the sizing copes well with a lot of abuse in terms of water. It's receptive to pen and a good number of pages per book so good value.

A favourite for pen is the Zeta Weight: 180 lb. – 270 gsm Shade: Natural White Surface: Smooth  Media: Watercolor,  Pen & Ink, & Dry Media and I do enjoy the rather crazy way watercolour behaves on the paper. 

The Epsilon Weight: 100 lb. – 150 gsm  Shade: Natural White  Surface: Smooth  Media: Pen & Ink,   Dry Media, & Light Wash has similar surface - smooth, 150gsm and copes with quite a lot of water. It's one I'm using at the moment.

Another new one that I am trying is the Hand*book sketchbook and find that I spite of not being a watercolour paper, it is handling paint well - more on that as I do more sketches in this book.

Hand*Book Journal - Ink and Gouache and small watercolour palettes ready to be filled.

Disclaimer: I am not associated in any way with the stores or manufacturers where links have been provided.

Out and about with Zeta

This weekend was the 42^nd Worldwide Sketchcrawl. Sketchers met on Saturday morning - I was unable to join them so on Sunday, Australia Day I did some solo sketching. I found some interesting subjects in Racecourse Road, Ascot.

Racecourse entrance from Baguette Bistrot & Bar 

ink and watercolour in Zeta Sketchbook

© 2014 Carol Lee Beckx

The morning was made even more enjoyable by being able to enjoy delicious coffee and a snack at Baguette Bistrot & Bar. The staff members were lovely too - and because it was quiet with few people around, they were happy for me to colonise a table for a while. (Well quite a long while…)

View from Baguette Bistrot & Bar ink and watercolour in Zeta Sketchbook

© 2014 Carol Lee Beckx

I loved using the ultra-smooth Zeta Sketchbook by Stillman & Birn - the ink lines flow so easily and I love the way watercolour does its own thing.

New Brushes

Artists love getting new supplies: a new sketchbook, exciting new colours, but my favourite is a brand new brush. There is so much promise in the clean perfect bristles. Should you glance at my studio shelves you would be forgiven for thinking - "she does NOT need another brush." Yet, so often,after using a brush for a while, the honeymoon is over and the brush starts to behave badly.

I am pleased to tell you that I think I have found a make of brush that is near perfect. (Free would be perfect) Rosemary Brush Company in the UK makes the most wonderful brushes. We (my students and I) placed an order which arrived a week ago. They have been sitting in my studio saying " paint with me - paint with me now!!

At last yesterday I had a chance to try them out. I am really impressed with the way they respond. We bought a few Kolinsky Sable brushes for watercolour as well as some of the Ivory series and the Chungking bristle. The Sable are a dream to use, with a wonderful point and generous belly.

I indulged in a treat for myself - the Pocket Reversible travel sable brush solves the problems associated with transporting good brushes without damaging them. A removable shiny cover that protects the brush fits on the back of the ferrule to provide a good handle.

Ink and watercolour drawing - Alpha series sketchbook with Rosemary & Co Pocket sable

The Ivory brushes have a crisp spring to them - quite different to conventional hog hair. A lot of thought has gone into the design of the handles, the balance is good and they are comfortable to hold. The Ivory brushes in particular clean up easily.

Sparkling new brushes !!

Ok back to the Studio to paint - bliss!

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